Haruka Nishimura
Ondine usually comes across as water; here it came across as the water's mind. The dynamic range was wide but never noisy, and the climaxes were timed so that the return of the opening figuration felt inevitable. Her pedaling left the harmony clean at the points where the piece wants to blur, and blurred it where it wants to be clean.
The performance
Maurice Ravel, Gaspard de la nuit, I. Ondine
The edition
- 96
- 27
- 3
- 2023-04-29
The Junior Award went to Emilia Berg (Norway, piano).